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FIDELIO Online
Reviews by
Schiller Institute and LYM Authors

"All art is dedicated to joy, and there is no higher and no more serious task than to make people happy. True art is only that art which provides the highest enjoyment.

Supreme e
njoyment is the freedom of the mind in the living play of all its powers."

Excerpt from
On the Use of Tragedy in the Chorus
by Friedrich Schiller


Right, Rembrandt's painting "Aristotle Contemplating the Bust of Homer"
Aristotle Contemplates the Bust of Homer (painting by Rembrandt)

The Schiller Institute will post regular online reviews of Classical music performances, books, art exhibitions, and related activities. With this, we hope to involve our fellow citizens in creating a scientific and artistic freedom of the mind , and to lift civilization out of the Romantic and Dionysian cultural swamp it has been sinking into over the past four decades, since the onslaught of the rock-drug-sex counterculture.

At the same time, we will make available on the site, reviews published earlier in Fidelio and EIR Magazine, which have universal historical and cultural significance.

Of special importance will be reviews contributed by members of the LaRouche Youth Movement, whose intensive work over the past few years in Classical science and music has already begun to create a revolution in those fields.

More links and articles of interest can be found on the Schiller Institute Education Page.



Historic Performances at C-256Hz

“Through the Years” Drama by Amelia Boynton Robinson


 

FIDELIO Online Reviews

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Performances

Bellini Comes to Life in Detroit, “La Sonnambula” (Michigan Opera Theatre)

Houston Mozart Doubleheader: Bold Intent Undermined by Ahistorical “Abduction” (Houston Opera)

Beauty and Pathos Of Mozart Undermined By Director's Conceit (Los Angeles Opera)

“Marriage of Figaro": An Opera for Our Time (Michigan Opera Theatre)

Verdi's Tragedy "The Masked Ball" Brings Joy to Houston Opera Attendees

“Cyrano”: A Romantic Opera Which Begs for the Classical

Los Angeles Opera's Superb "Fidelio" Does Justice to Beethoven

Houston Grand Opera: A Spectacular “Aida”

Detroit Opera: Mozart's Abduction from the Seraglio

Puccini’s “Turandot”

Mozart's Don Giovanni from a Houston Opera *

Seattle Opera Butchers Mozart

Verdi’s ‘Il Trovatore’: Sublime Love vs. Revenge at the Washington National Opera*

‘Rigoletto’: Verdi’s Education of the Emotions - Michigan Opera Theater **

Verdi’s LaTraviata - The Woman Who Went Astray *

Close to Perfection - Mozart’s Le Nozze di Figaro at Los Angeles Opera **

András Schiff in Concert, Washington, DC, 2003 *

Clemenza di Tito in Dresden, Germany, 2000

 

Books, Recordings and Exhibits

Art Exhibit Celebrates Spain's Humanist Alliance With America Against Britain

"The Golem and the Wondrous Deeds of the Maharal of Prague"
'Cervantes Would Have Been Impressed'
Reviewed by Lyndon H. LaRouche, Jr.

Rembrandt Etchings at The National Gallery *

Lorenzo DaPonte: Mozart’s American Librettist

The Mandeville Model: Fable of the Bees

Emma Azalia Hackley 1867-1922 African-American Singer and Social Activist

The Joy of Reading Don Quixote

The Military Genius of Jeanne d'Arc, and the Concept of Victory

President Garfield and the Pythagorian Theorem

Mozart’s “The Philospher’s Stone” *

The Classical Revolution in Jewish Liturgical Music * from EIR

Celebrating God's Universal Creation ** from EIR

more to come...

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The Count discovers Cherubino hiding in the chair (scene in the Marriage of Figaro)
An early print portrays the scene in Mozart's Marriage of Figaro, where the Count discovers Cherubino hiding in the chair.
Related Articles

Education, Science and Poetry

Revolution in Music Page

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Fidelio Magazine Contents 1992-1996

Fidelio Magazine Contents 1997-2001

Fidelio Magazine Contents 2002-2006

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